This article provides She walks in beauty analysis by Lord Byron. Byron has been one of those poets who have left an everlasting mark in the history of English literature poetry. She walks in beauty by Lord Byron is an ode to a lady which the poet saw at an evening party and was mesmerized by her startling beauty to such an extent that he wrote this piece of poetry for her. It is believed by many critics that the lady in question here was Lord Byron’s cousin in marriage Mrs. Wilmot whom he had first seen in a beautiful black gown with silver spangles on it. The arresting beauty of her presence inspired the poet to pen this beautiful poem. This summary of She walks in beauty will help the readers discover the beauty of using contrasts in a poem. It will also help them realize the importance of inner beauty which adds arresting prettiness to a face.
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.
The poet says that his muse bathes in beauty which is as enthralling as that of a cloudless starry night. A cloudless starry night is a kind of poetic machinery which is employed by poets to add capacity of wonder and a hint of mysticism to something. When the poet looks at his muse it seems to him as if the shimmering beauty of a clear night sky decorated with stars has been transferred to her. The poet next fuses brightness and darkness together in his next attempt to describe the woman’s beauty. He says that his muse’s beauty carries with it the best of both worlds of brightness and darkness which emanates from her eyes. This mixing of darkness and brightness reproduces a very special tender light which is so heavenly that the mortal world only strives to get a glimpse of it. This fusing of contrasts in the first stanza increases the beauty of the poem by leaps and bounds.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
As we move to the second stanza, this she walks in beauty analysis will shed light upon the level of perfection which the poet’s muse’s beauty had been gifted with. The poet says that the balance of shade and light which his object of attraction’s beauty unfolds is so perfect that even if it is tampered with a little, it will reduce his muse’s grace by half. He defines his muse’s grace as nameless which means that he cannot find an adjective that could sufficiently explain the splendor which the woman showers around her. The poet moves to a very interesting minute detail of his muse’s face. He says that when strands of hair softly brush her face they look as alluring as leaves of raven tress when wind flows through them. His muse has one of those tranquil faces which tell of sweet thoughts and a precious pure mind.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
In she walks in beauty analysis of the third stanza we discover that the poet’s muse’s face has intricacies which are capable of winning anyone’s heart. When the woman smiled, a soft blush spread across her cheeks and brow which was calm yet full of expression. The smile of the woman combined with her blush produced an effect on the poet which enchanted him. They made him see the inner beauty of his muse. Her pretty face with its smiles and blush were windows to a beautiful mind and an innocent heart. They gave the poet an impression that the lady’s days were spent doing good deeds which had a deep impact on the poet.